Figure Drawing Lesson 011 - The Formulas for the Side View of the Human Head - Phase 3 - Figure Drawing Storyboard Guide (Part 1/2)
Figure Drawing Lesson 011 - The Formulas for the Side View of the Human Head - Phase 3 - The Structure of Man (Part 1)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 011 - The Formulas for the Side View of the Human Head - Phase 3 provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
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Frame 1
Hey guys, my name is Riven Phoenix and welcome to the Structure of Man, Learn to Draw the Human Figure from your Mind Training Course.
Frame 2
Okay, so now in the previous lesson we had looked at how we are beginning to simplify the formulas,
Frame 3
meaning that your mind is clever enough that once it understands the basic principle of the formula,
Frame 4
that we can start to let go of a lot of things and because it's now beginning to understand the conceptual idea of how the skull is supposed to be designed.
Frame 5
Right, so in the previous lesson we had looked at the ear and these two lines here and knowing that this is when it's sitting on the axis,
Frame 6
while the top of the ear and the bottom of the ear matter. Right, so we're building up the information very slowly in these microbursts.
Frame 7
So what I want to show you now in this lesson is that just with this knowledge that you have here, you can create your own character design. Right, just using this formula.
Frame 8
So if you've not drawn, let's say if you've had difficulty drawing the human head and trying to come up with the own character design,
Frame 9
struggle with it, you'll see just with this knowledge, you'll be able to create very realistic character design of just the head at this moment.
Frame 10
Right, so for this, what we're going to do is really just use a much more artistic style of drawing the head out using the same formula method.
Frame 11
Right, so in this example, we'll just say conceptually that we just need a design in place so we can create the character out of like a realistic head.
Frame 12
Right, so do that here. I'm just going to draw out a line over here just like this.
Frame 13
If I'm going to cut it over here, I'll just cut it over here actually.
Frame 14
I don't want to get too big so it'll take too much time to do it.
Frame 15
And then over here, I'm just going to divide this in half and really just divide, make a plus sign like this very simply just like that.
Frame 16
Right, just notice when I'm being artistic about the whole thing now. Right, so here I'm just going to make sure that I've measured everything right over here.
Frame 17
And I'm just going to increase it just a little bit over here on both sides.
Frame 18
So once I have this, I just need to use the very basic simple sentences that we created for the formulas to create the skull.
Frame 19
So from here to here, when I divide this in half, go up. I know this is where the jaw is going to be from here to here.
Frame 20
When I divide this line in half, we're just going to be about here, divide in half, divide in half.
Frame 21
I'm just going to basically get the line for the jaw and then I can start to curve in and just stop at this point over here.
Frame 22
Where the bottom of this box is supposed to be, just like this.
Frame 23
Okay, so from here to here, if I divide this and go down, go up.
Frame 24
I know that this is going to be the bottom of the skull and from here,
Frame 25
I just need to find the center of this over here at this point here.
Frame 26
And then from here to here, really just understanding where the center is.
Frame 27
Over here is going to be about here over here and then divide in half.
Frame 28
And basically I know that this is where the angle is going to start to turn over here.
Frame 29
The top is very easy as long as you know this point over here.
Frame 30
Right, you just need to find the center and come back.
Frame 31
And then you've got the back of this and then coming all the way from the top is very easy from here to here.
Frame 32
If you divide over here and you know that it's going to touch here, it's going to flat line over here.
Frame 33
And then from here, we know that this is the box, the corner of it over here here.
Frame 34
It's going to start to curve and then from here, find the center of this whole box here, up, up.
Frame 35
We know it's going to start to curve here.
Frame 36
From here to here, we know it's just the center of this and it's just going to come down like this over here.
Frame 37
And from here to here, we can just start to curve like this, following these lines here.
Frame 38
And then from this guy to here, we know that it's going to stop here.
Frame 39
So we know from here to here, we just divide in half, divide again.
Frame 40
And we know that this is going to stop here and that's basically it.
Frame 41
I get my very realistic skull over here.
Frame 42
And I know for the eye socket is that once I have this center this by divide over here and half,
Frame 43
I know that from here, it's just going to go like this.
Frame 44
I'm going to get the eye socket over here.
Frame 45
From here, so basically I just need this bone structure here.
Frame 46
From here, I just need to connect this, get the top of the cheek.
Frame 47
And from here to here, if I go here, I'm going to get the bottom of the cheek and just curve it up.
Frame 48
Just a little bit like this.
Frame 49
And this line over here for the skull is very easy.
Frame 50
From here to here, we know, divide in half.
Frame 51
Then we go up, up a little more.
Frame 52
Basically, just go like this.
Frame 53
And the center of this is where this guy is just going to come like this.
Frame 54
We get the skull design over here.
Frame 55
And the jaw line is basically where this point is of defining the center of this box.
Frame 56
It's really just this line, curving this way.
Frame 57
And for the nose, it's just coming in this direction.
Frame 58
Knowing from here, that if I divide this in half, go up.
Frame 59
This is, and from this point, to this point, really,
Frame 60
this is where the line for the nose is supposed to be.
Frame 61
This is, again, as soon as you have divided, you know that this is where the mouth is supposed to be.
Frame 62
It's going to be on this angle.
Frame 63
So from here, if I take this, the bottom of this, this, this, dividing half, go up.
Frame 64
I know that this is just basically the line for the mouth.
Frame 65
And the ear is obviously very simple.
Frame 66
We know that we just pulled the line.
Frame 67
And as long as we knew from here to here, the center over here,
Frame 68
we're just going to pull it like this, come back in, and we've got our skull.
Frame 69
Right? So from here to here, here, is the axis.
Frame 70
From here to here, to here, is the axis.
Frame 71
So it's really going to be standing on that axis.
Frame 72
So let me actually, I like to use a paper here for this.
Frame 73
It's easy to draw straight lines, but when they're on it,
Frame 74
I like to use that paper so I can draw these lines on an angle over here.
Frame 75
Right? So this is really just the axis, all of this.
Frame 76
Okay. So you can see we were quickly able to do this.
Frame 77
Now we can just erase this stuff here.
Frame 78
Really even just erase this axis line here.
Frame 79
Right? So erase some of this stuff and look at how the skull is going to be over here.
Frame 80
And really just now be creative about this and create like a character design for it.
Frame 81
Right? So like a character design would be, you can put hair on it, whatever you want.
Frame 82
So here I'm just going to make like, let's say a sci-fi design over here.
Frame 83
So let's say that this guy here is going to have like this band over here on his hand.
Frame 84
I'm going to be just doing a conceptual idea here.
Frame 85
Right? Nothing realistic or anything.
Frame 86
And then over here, let's say on the top of his head,
Frame 87
he's going to have like this thing over here.
Frame 88
That's going to go like this.
Frame 89
And then over here we can just put down,
Frame 90
but these ideas here for, let's say he has some electronic stuff on the top of his head,
Frame 91
going in all these different directions in here.
Frame 92
Right? So of course the more you work on it, the more realistic you can get these things to look like.
Frame 93
So here I'm just going to put some designs here.
Frame 94
Let's say it's some kind of a technology thing that he has over here.
Frame 95
Just like this in here, I can just even start to erase some of this stuff over here.
Frame 96
Right? So let's say that he's going to have some circular things over here.
Frame 97
Just like this.
Frame 98
Right? So if you were doing like sequential art referring to like doing comic books and stuff or manga,
Frame 99
you can see how easy it is to use this knowledge.
Frame 100
So maybe let's say we can even put like some hair over here, given some hair going in this direction.
Frame 101
It's just coming out a little bit.
Frame 102
Right? So this is nothing more than just a conceptual idea here.
Frame 103
Right? So for his ear here, now we don't want to get too much in here.
Frame 104
Like if you haven't drawn the eyes, we don't have to worry about that.
Frame 105
You can actually, let's say for the eyes, we'll put like this device here.
Frame 106
Right? When we get to the eyes, we'll look at all that information later right now.
Frame 107
Let's not frustrate the mind at all.
Frame 108
I'm just going to put this here. He's going to have, he's like wearing something here.
Frame 109
Right? So my suggestion is, since you already know how to draw the skull,
Frame 110
you understand the concept of it, you can do all types of designs here,
Frame 111
all types of character designs here that you want.
Frame 112
Something like this over here.
Frame 113
We can do the nose like that.
Frame 114
His eyebrows.
Frame 115
Right? And you don't even have to follow all these lines that we did.
Frame 116
You can just start to put, right? Just take that lesson from Michelangelo surface anatomy,
Frame 117
all these little angles that you should be aware of.
Frame 118
Right? Just put your angles down how they should be.
Frame 119
So here I'm just going to simplify this right now.
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2026 Riven Phoenix and AlienThink.com
Keywords: figure drawing, figure drawing lesson 011 - the formulas for the side view of the human head - phase 3, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 011 - The Formulas for the Side View of the Human Head - Phase 3, Storyboard Guide
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