Figure Drawing Lesson 006 - The birth of discovery - Figure Drawing Storyboard Guide (Part 4/5)
Figure Drawing Lesson 006 - The birth of discovery - The Structure of Man (Part 4)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 006 - The birth of discovery provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
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Frame 295
We already trained the mind to see how to take a 2D drawing
Frame 296
and turn it into 3D.
Frame 297
So now let's test this out.
Frame 298
So now the question is,
Frame 299
how do I draw it in 3D without making a straight line?
Frame 300
Well, we can look at this and just say,
Frame 301
well, I mean, look at where this line is.
Frame 302
So if you just drew this line like this,
Frame 303
a line like this,
Frame 304
you know that you're going to get the face here
Frame 305
and the chest cavity over here.
Frame 306
Now, again, when we,
Frame 307
when you're going through this exercise
Frame 308
that I'm going to show you next,
Frame 309
it's really just drawing it out
Frame 310
and just looking at the lesson over and over.
Frame 311
This section of the lesson,
Frame 312
but it's really this line here.
Frame 313
I don't have to worry about any of this
Frame 314
because I know how this curves.
Frame 315
Right?
Frame 316
I just looked at the negative space.
Frame 317
Right?
Frame 318
So if I drew this, I could just do like a curve here.
Frame 319
Right?
Frame 320
If I drew a curve here,
Frame 321
just like this,
Frame 322
I can look that this is where
Frame 323
half of this is just the legs anyways.
Frame 324
Right? So when I draw it like this,
Frame 325
I can just do the legs in this way here.
Frame 326
I'm going to do this drawing a little more smaller.
Frame 327
But let me just show you that this is what I did over here.
Frame 328
You know, over here,
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I can just look at this.
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This is the height.
Frame 331
Right? I know that the head is going to be here, obviously.
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Right? If the head is going to be here,
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I know that the chest,
Frame 334
I have, right?
Frame 335
It's the negative space over here.
Frame 336
And that's it, really.
Frame 337
And then you can just draw out the chest cavity,
Frame 338
and you're done.
Frame 339
And basically, we can just draw out,
Frame 340
let's see, a hand over here,
Frame 341
I'm just sketching it out, just showing you
Frame 342
how this can be understood,
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and you can clean up your drawings as you move along.
Frame 344
And basically, that's it.
Frame 345
We can just now,
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right, just roughing the ideas,
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just like this.
Frame 348
Right? So we were able to sketch it out.
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When we're sketching it out, we know exactly,
Frame 350
we're sketching it out.
Frame 351
So I'm showing you.
Frame 352
Right? So now if I wanted to clean this up,
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I can just go through my drawing process,
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and now erase some of these lines here.
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Right? These anomalies,
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because this is really just the first model.
Frame 357
So now when I come in here,
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I know that this is just going to be a circle over here,
Frame 359
like this.
Frame 360
Right? It's going to be like this.
Frame 361
And this is the head, just like that.
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It's going to be the opening of the head,
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because I understand about the negative space over here.
Frame 364
And then over here, I'm just going to go like this,
Frame 365
because right in the mind,
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you know that in the back, what's going on,
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you know, in the front, what's going on.
Frame 368
Right? And then you can just
Frame 369
meet your drawing,
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it's like this.
Frame 371
But notice that when we did this,
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all we really had to do was look at the height of the figure.
Frame 373
We know this is divided in half.
Frame 374
We know that from here to here in 3D,
Frame 375
the knees are going to be above this, obviously.
Frame 376
Right? And then when you remember,
Frame 377
you're never attached to any of these lines.
Frame 378
You can just keep improving it,
Frame 379
and doing whatever you want with it.
Frame 380
And really here, I know that from here to here,
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right from here to here,
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I know that the navel is going to be here,
Frame 383
so I can just see that's exactly what that area is.
Frame 384
That over here, it's on the other side.
Frame 385
And that gives us a three-dimensional understanding of this.
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Right? So this was like the discovery process that we went through.
Frame 387
Now we don't have to understand this in so much detail.
Frame 388
Remember when you come back,
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when you come back to do these drawings like this,
Frame 390
you will be able to draw them without any effort,
Frame 391
because you understand everything about it,
Frame 392
the whole puzzle structure.
Frame 393
But again, the most important part of this,
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when I'm showing you,
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is that the process that we went through
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to understand things using a concept of formulas.
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The only reason we use the formulas was to force the mind to see,
Frame 398
but then we left the formulas behind and just threw a free hand,
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because it's all about understanding where these negative shapes are,
Frame 400
what causes all these angles?
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Right? Only in this idea here.
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Obviously, when we draw out the actual figure in 3D form,
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we would know even more.
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Okay? So it's a process of thinking.
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Right? So to finish this off,
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this lesson got a little long,
Frame 407
but to finish this off,
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let's say if we did another pose here,
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let's say if I draw a line like this,
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Keywords: figure drawing, figure drawing lesson 006 - the birth of discovery, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 006 - The birth of discovery, Storyboard Guide

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