Figure Drawing Lesson 007 - The Secrets of the Masters - Figure Drawing Storyboard Guide (Part 2/4)
Figure Drawing Lesson 007 - The Secrets of the Masters - The Structure of Man (Part 2)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 007 - The Secrets of the Masters provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
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is, you basically just map it out here and once you pull those lines you always get the
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angles based on reality giving your figures a very realistic look, right?
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What I'm showing you here is artistic thinking, right?
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The power of artistic thinking that we usually don't see when the artist is drawing out figures.
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So having understood this, let's take a look at some other drawings here from Da Vinci.
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So here's obviously a study of Da Vinci is doing of the human structure, right?
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So these drawings he did them from in actual carcass, right?
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Back in those days they didn't have anatomical books, they didn't have the amazing software
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products that we have that allows us to see a complete structure of where everything connects.
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In those times he had to actually get a dead carcass, skin him and look at each muscle and
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do all his studies, right?
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So he was really the only person who's really now looked at us a master of anatomy because
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he was the guy who really took the bow by his horn and really started documenting this
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to us to what he was discovering, meaning that when he's going through this process, right?
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Because he was really the only person doing this in a very secret way.
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Every time he documented this, from his point of view, it was seen as an invention idea,
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right?
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Because it's like an alien world to him, so every time he understands, okay, if the
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deltoid and the biceps go here, he understands the connection points and how everything
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is connected, right?
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And this is the thing that we are missing is because we have so much information and
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we have to go, we have to basically go back in time and do exactly what David cheated.
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So here we'll just take a look at other drawings here.
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Here's a study of a skeleton, you'll see that he's just doing the same thing, he understands
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where everything goes.
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And if you look closely, you can see like these small hint of grid lines that he's put
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on because he understands exactly where everything goes here, right?
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So he's really the go-to guy if you wanted to understand anatomy, right?
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So he's coming up with his own systems, just like we are, right?
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So here we came up with the 8-head formula, how everything is connected, and you can see
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that these are hints of these lines as to how they're done.
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And just to prove that, here's another drawing from the venting, you can see this line
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going right down this figure, right?
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It goes right straight down the gravity line, and he puts that line in the middle for the
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crotch as to where it divides, right?
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And you can see these hints of these lines again that David is doing, right?
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Exactly what we've been doing all along in these studies that we did, right?
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So we know that this is what I'm showing you, the concept of invention, we know that
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it's been done by artists, but unfortunately, it really hasn't been documented ever by any
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artists, even from that time, all right?
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So this process really is also a proof of concept that what these artists went through, that
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when we go through this exercise, that what DeVinci is seeing is obviously going to be true
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over here also.
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And here's just another drawing of DeVinci where he's using the concept of invention, where
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he's put the human skeleton now, he's just understanding, okay, how does each muscle
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connect?
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So look how he puts all these muscles and tendons together, because he just wants to
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understand how things connect, in his mind, it's like a mammary mat system, and again,
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more notes over here, and once he's understood this, he's doing like these quick sketches of
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the human head, of the skeleton structure, and he's putting like these muscles over here,
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right?
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To understand this, what I just showed you, all the stuff here is basically how we will
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now begin our journey into understanding the entire human skeleton structure, right?
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So just to make sure we all understand, what is it that we're trying to do here, is that
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let's take DeVinci here, right?
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So this is going to be DeVinci over here, and this is going to be us over here.
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So let's just imagine that we are both starting our journey as artists into mastering the human
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figure, right?
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So we already know that DeVinci, when he went through his path, right?
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He got access to dead carcasses, right, and from that, he began to understand and document
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and draw out how every muscle and skeleton structure was constructed, right?
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So his experience here was really an alien experience.
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What I mean by that is that it's something that he's never seen before ever in his life.
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So as soon as he starts looking at it, dissecting it, he's so excited about it, that everything
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is imprinting in his mind, and he basically ends up mastering the structure of the human
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figure down to the level of surface anatomy.
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So the problem here with us is that we just have too much information available in today's
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Keywords: figure drawing, figure drawing lesson 007 - the secrets of the masters, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 007 - The Secrets of the Masters, Storyboard Guide

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