Figure Drawing Lesson 004 - Side view of your invention - Figure Drawing Storyboard Guide (Part 2/3)
Figure Drawing Lesson 004 - Side view of your invention - The Structure of Man (Part 2)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 004 - Side view of your invention provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
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Frame 91
that this opening, right? This is the back, this is the front, and this is where
Frame 92
we're seeing the back, right? So because this is here, we need to do the same
Frame 93
thing. When I went here, I said, just go above, right, from here to here,
Frame 94
divide in half and make the back of the chest cavity. So because it's going to be
Frame 95
the same thing here, as if I'm looking at this line here, here, right? I did
Frame 96
this, now I need to make the back of this guy here, I'm going to come like this,
Frame 97
right? So this and it's just going to meet where the neck is, right? So notice
Frame 98
that this neck didn't come here, it's just basically within this area over
Frame 99
here, right? And this will help you understand what is it that we're drawing
Frame 100
here, right? So once we get this, we now need to just draw out the chest cavity,
Frame 101
make a line just going like this, right? So and then we need to make this guy
Frame 102
curve. So just like when we curved the chest cavity here based on the idea of
Frame 103
pineapple, you should know that we should know that to understand this, we'll
Frame 104
say that okay, when you have the head like this and we created the circle,
Frame 105
basically from here to here, if you take a half of this and edit here,
Frame 106
basically this is where it just needs to start curving with the chest cavity.
Frame 107
It needs to start going in this direction. Remember, this is the
Frame 108
nail. This is the nail and we have to go just about this. So meaning that this
Frame 109
guy should just come over here and the curve, this curve here should really
Frame 110
be coming over here, okay? And it's the same thing from the front, from the
Frame 111
front is we're just going to add basically like it from here to here. If I divide
Frame 112
this in half, I get this section here, I'm going to add it over here going
Frame 113
down, meaning that where this line for the bottom of the pack muscles is, I'm
Frame 114
just going to connect this dot to this dot and I'm going to get the idea for
Frame 115
the chest cavity and that's it. That's how simple it is, right?
Frame 116
So in this fundamental toolkit that we're creating, as we move along, we
Frame 117
will begin to adjust this toolkit, right? There are going to be some areas
Frame 118
that we need to adjust, meaning that we will add knowledge to it, we will draw
Frame 119
it just a little differently, but we don't have to worry about it right now,
Frame 120
because we haven't gotten to that stage. So to review what I did here,
Frame 121
right? When I was here with the bottom of the pack was, and this is the
Frame 122
chain, when I basically came like this, just like this divided this in
Frame 123
half, I just knew that where this chain was, half of this, I know that I'm
Frame 124
going to draw it here, going to go up, just like this, right? I'm not going
Frame 125
to go up over here, I'm not going to draw it up here, so it hits the jawline.
Frame 126
See, this is the line for the jaw, I'm not going to go all the way up here,
Frame 127
it's going to come here because it has to be here. Same area here, approximately
Frame 128
the same distance over here, and that's it, and then when I drew it like this,
Frame 129
I knew that I just need to go back a little bit, I can just eyeball it, add
Frame 130
a half of this to here, just approximate it, and come like this.
Frame 131
So the important thing about this gravity line is look where this curve is,
Frame 132
it's on the left of this gravity line, this curve, we're talking about this
Frame 133
area right here, where this curves, this area is going to be here, and this
Frame 134
here again, this is the flat of the human head, and we just added like a
Frame 135
half, this was from here, and I took this line divided this in half, took this
Frame 136
area here and attached it here, and basically this tells you that the
Frame 137
pack is going to be in front of the face, and the back is going to be a
Frame 138
little back of the skull, and that's it. So now we come to this area over
Frame 139
here, how should we solve this area? Right, so one more thing here, notice
Frame 140
that this here is a circle where the neck is going to sit in, right, this is
Frame 141
why we couldn't see it, because it's on the other side, and this now helps
Frame 142
you understand what's going on, that it's on an angle, that's why we drew it
Frame 143
like this on the back, to understand this section. So in the same way,
Frame 144
we would have to do it here too, because we know that the love handle goes
Frame 145
here, so if I imagined a circle going like this, let's say a circle was
Frame 146
going like this, right, like this, I could have just simplified everything
Frame 147
and gone, like this, and just draw like these two lines, right, so it's the
Frame 148
same thing, we're over here, I can just draw the same thing over here, and
Frame 149
just draw it out like this, right, it's a very simple idea of the pelvis,
Frame 150
meaning that here we would erase these lines here, so we can see the back,
Frame 151
right, so here we're adjusting our previous designs, so we can help the
Frame 152
mind understand in 3D how this is going, right, meaning that this obviously
Frame 153
is going to be on an angle, right, so meaning that over here, where this is
Frame 154
the crotch area, this is the crotch area, this is the navel, this is the
Frame 155
navel, so when I divided this area into different sections, I'm going to divide
Frame 156
this area into different sections, right, so I know that the love handles
Frame 157
are going to be here, so if I took an imaginary line here, right, I need to
Frame 158
figure out how should I do this, but basically just know that you just need
Frame 159
to like curve it like this, and that's it, so meaning that this here,
Frame 160
this junction that we talked about is here, this line here is this line,
Frame 161
it's going to be this line over here, meaning that you can just draw it
Frame 162
like this, see where this is going, I'm just going to draw it like this for
Frame 163
now, and here I'm just going to curve it in, go like this, and where
Frame 164
should this end, basically, with a half of this is, just do it like this,
Frame 165
right, it's that simple, so now we understand this much more
Frame 166
better in the mind, right, let me draw this in 3D, so you understand what
Frame 167
I did here, this thing is nothing more than this, it's a shape like this,
Frame 168
very simple idea of a shape that I drew is the opening, and this is the
Frame 169
pelvis area over here, and where this junction is, right, it's just like
Frame 170
this, it's just going like this, it's just these two imaginary lines,
Frame 171
it's just like this 3D object that we've created, that's all we did here,
Frame 172
right, remember this is just simplified understanding of this,
Frame 173
okay, so what we want to do now is understand how to do the legs,
Frame 174
so we know that when we divide it from the navel and the cross,
Frame 175
we divide it into 3 different sections, we got the junction over here,
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Keywords: figure drawing, figure drawing lesson 004 - side view of your invention, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 004 - Side view of your invention, Storyboard Guide
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