Figure Drawing Lesson 019 - Conclusion of the invention of the Human Skull - The Structure of Man (Part 1)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 019 - Conclusion of the invention of the Human Skull provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
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Hey guys, my name is Riven Phoenix and welcome to the structure of May of Learn to Draw
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the Human Figure from your mind training course.
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Okay so now we've come to the conclusion of the human skull and now the thing about the
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human skull is that we really did spend quite a bit of time on it because that's pretty
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really the most important part that we got to understand in figure drawing.
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Really everything else that you're going to see is going to be very simple to understand
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about the invention of the human figure that we're creating.
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It's really important to get the human skull and the human head and you'll see the fruits
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of that as we move through this course here.
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So to wrap this up, basically we now need to reach or check our milestone and that
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is to look at our toolkit and see how we can now draw it much more differently.
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So to draw it out, if we go back to the toolkit, we know there was very simple, we just draw
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a line over here, I'm going to make it about here, just a straight line, just like this.
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The line is straight on my paper, but on the camera it kind of shows a little slanted
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because we divide this in half, going in this direction, we know that the knees are
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going to be above this, we know that the peck is going to be here and we know that the
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chin is going to be here and this is the X, this is where the navel is.
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So now when we draw it out, we can just look at this, do the same method when we're in
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the center, we just go half here, we get the circle, right, it's the same thing.
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So now when we draw out the human head, we can actually draw out the actual skull.
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So here I want you to just take your time and do this correctly here, right, because
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you done all this hard work and you just want to want this thing to pay off now.
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So basically we just did this, we made the chin like this, we know from the top of
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the, from here to here we get the brow, we're going to get pretty much the nose over
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here, right, the nose, the bottom, the division where the mouth is supposed to be, basically
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we're just going to turn in in this way.
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So this will now introduce you to this concept of really precision drawing, right, what
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is precision drawing just drawing out your ideas like this, right, so you already know
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how to do this, I know it's kind of small, but on camera, but you'll be able to do this
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yourself, all we do is just mark out the eyes over here and just draw them out, knowing
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the ratios, so how they're supposed to look over here, just like this, right, and then
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we'll erase this a little bit and really just work on fixing up the idea and the sketch,
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right, and here you'll see that how rapidly you're going to be able to draw that skull.
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So here now I'm just going to erase this a little bit here because I want it to be much
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more clear on paper, right, really do a nice, take your time to do a really nice skull
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over here, right, if you spend all this time understanding this and just, you'll see
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how your hard work is now going to pay off, right, here's the, the nose area over here,
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and then here I'm just going to draw out this temple area over here, sides over here,
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just like this, all right, this is the mount area over here, right, and this is really
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now just going down to precision, drawing as I stated in precision, drawing is really
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your ability, how high quality of artwork are you going to do, right, so here this is,
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now just gives me the actual skull, right, see the difference in how our toolkit is now
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improving, everything else is now just going to be very simple, right, we already know
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that, right, I'm just going to translate that just about here, I know that it's just going
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to be here, now I just want you to start eyeballing everything over here, I know it's just
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going to be like this, coming this direction over here, and it's just going to be like
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this, you know, over here, we had already decided how this is going to be, right, we know
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that really it's just going to be a shape like this, right, the junction of this, but we
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know that we've decided that this is just going to be 3D like this, over here, it's going
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to be basically like this over here, we get the ball joint over here for the legs, and basically
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I'm just going to do the leg like this and over here, we're just going to do the feet again,
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just like we've been doing, right, we're not doing anything different on this, just be more sketchy
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about it now, right, over here, I know that it's just going to be here, it's just going to be
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roughly around here, right, and here, I'm just going to do the arm like this, and this arm
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I'm going to do like this over here, right, so here's going to be your belly button,
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right, so you can see how our toolkit is now so much improved, we can actually draw out the skull,
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so now let's draw it from the back, it's going to be, the back is going to be nothing more than
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just drawing it out, the way we've been doing it, because there's really nothing more to it,
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so let's do it in this way here, the line here for the pack, you got the chain over here,
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you know that the navel is going to be here, and then over here, now you notice that when I'm
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talking and drawing this out, see like the navel I put it here is because you got to make sure of
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this, right, like it's better to just stop and look, you know, over here when I usually when I'm drawing
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I don't do that, but because I'm talking, trying to do multiple things at the same time,
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you can just adjust these things here, right, this is where the navel supposed to be, right, but
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still it's going to be the same thing, so over here we know that for this, if we go here divide
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and have, we know that we're just going to get the ball shape over here, but notice the difference,
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is now that we remember drawing it, what's happening in the mind is that it's actually understanding
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what it is that it's drawing, right, it because it's been through that very
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extensive experience to drawing the skull that when it comes to this section here, when drawing at
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the skull, it just knows exactly what you're looking for, right, and that is the power of the formulas,
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how we use them and then we basically just throw them away in the end, right, and then
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just simplify them so much so we can just use the more simpler versions of them, you know,
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over here I'm just going to be very much more sketchy on this one, right, so like for this one,
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I'm doing more of a sketchy style here, just to show you that, you know, the different ways,
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just try to start to get used to the idea of getting loose with your drawings here,
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right, slowly we're introducing that concept of just sketching out in this very loose way,
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right, and once we've done this, we can obviously just come back with the eraser, right,
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and just do it again, right, so this again is time management, if you, right, how much time do you
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want to spend on these drawings? So again, because this is your sketchbook, right, make them as
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neat as possible, right, so here it just shows you that, okay, I could sketch it out quickly,
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then when I have to use my eraser to leave the anomalies behind, I'm just going to do a much
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more better version of it, right, just improving it slightly, right, just getting used to the idea,
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just get used to, it's like this habit you're building of what your drawing process is going to be like,
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okay, and here we've got the leg, and for here I'm just going to do the leg like this,
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right, so notice that I did this up and did this a little bit, right, I'm trying to keep it
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loose as possible, right, so here we could put this a little bit on the angle if we wanted to,
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right, because it's our tool kit, okay, so lastly all we have to do now is draw it from the side,
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and here from the side view is going to be much more easier now, right here I'm going to divide this
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in half, the back line is, where the bottom of the head is, the knee will, it's going to be here,
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the bottom of the knee is going to be above this line, so now when we draw it here we already know
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we just need to put, we can put like an oval shape or like this ball shape,
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right, a slight be oval shape, and we already know as soon as we go down here we know that it's
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going to turn in this direction, right, and this is the, the brow area, this is the half of it,
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right, so here I'm just doing like this, this mini drawing here, this is going to be the nose area
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over here, right, you're going to get the eyes socket over here, and then you're going to get
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the cheek over here just like this, and now it becomes a human skull, and I just think this is
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very fascinating to look at as to how rapidly the mind understands its own concepts,
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right, so here I'm just going to erase it a little bit, and now work on
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doing adjusting it and doing much more better version of it, right, always the first lines
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are going to be like our sketch lines, our original ideas of what we're looking to do,
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right, and here I'm just going to finish this off over here, I know that the here is going to be here,
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right, again this is going to get into that, here I can even put a little bit of the nose
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making a little more realistic, looking just like this, and here we know that the neck is always on
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an angle, we already know about this, when we, it has to be half of this here, it goes just like this,
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and really where this is just the half of this we're going to come down, and over here we know
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that it's just going to be here, half of this, come this way, and finish off the chest cavity,
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Keywords: figure drawing, figure drawing lesson 019 - conclusion of the invention of the human skull, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 019 - Conclusion of the invention of the Human Skull, Storyboard Guide
