Figure Drawing Lesson 016 - The Journey to 3/4 view of Human Skull - Part 4 - Figure Drawing Storyboard Guide (Part 2/3)
Figure Drawing Lesson 016 - The Journey to 3/4 view of Human Skull - Part 4 - The Structure of Man (Part 2)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 016 - The Journey to 3/4 view of Human Skull - Part 4 provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
Visit the official website: www.alienthink.com
Frame 122
Right?
Frame 123
So just look at this space.
Frame 124
Look at this space.
Frame 125
Right?
Frame 126
So from here, we already know what to do.
Frame 127
We just go like this and over here, I just need to make basically an idea here that from
Frame 128
here, see, from here, it's going like this, it's just going to be like this opening here
Frame 129
for this call.
Frame 130
I'm going to like do it like organic looking over here and over here the same thing, doing
Frame 131
it this way over here and just remembering the points where you're supposed to connect
Frame 132
to.
Frame 133
Right?
Frame 134
So once in the points, just when you've done it the other one right here, just look at it
Frame 135
and make it organic looking like this.
Frame 136
So once we've done this, everything else is simple.
Frame 137
We know that okay, well, really I can just do a line like this going down here.
Frame 138
See?
Frame 139
Let's go back to the formula and see what we need to understand about this.
Frame 140
See when we do go down over here, we know that it's going to be right below it a little
Frame 141
bit anyway.
Frame 142
Right?
Frame 143
Below this center line here over here.
Frame 144
So here, I'm just going to go like this over here and say that that's what it's going
Frame 145
to be.
Frame 146
And look, even where the circle is going, this helps us from the front view only that it
Frame 147
just gives us the ability because it's going back to this idea here anyways, right?
Frame 148
We had said that when you go like this, you're just coming down here.
Frame 149
So you know that it's going to be here.
Frame 150
So basically where this is, just roughly around here, you can go like this and you've got
Frame 151
the basic idea for the skulls down, right?
Frame 152
It's going to be just like this.
Frame 153
Right?
Frame 154
If you haven't seen an actual skull, I would recommend to look at it because you already know
Frame 155
how to draw it.
Frame 156
And when you look at it, you will get more information from it and you can add to the ideas that I'm
Frame 157
showing you, things that are more customized to your stuff, right?
Frame 158
You might notice that there's a small notch that you always like to pull on the skull.
Frame 159
You can do that.
Frame 160
Right?
Frame 161
It doesn't, it's up to you, but this just helps you understand how to do it.
Frame 162
And here basically we can just do the jaw like this, right?
Frame 163
So we know they've pretty much got it.
Frame 164
And these sections over here, see these things here that I'm doing?
Frame 165
This is obviously this guy over here, right?
Frame 166
This guy over here, this guy over here.
Frame 167
So look where this is going, right?
Frame 168
We have to look at it in this way where we made the line for the eye, line for the eye,
Frame 169
look where this goes and look where this goes, right?
Frame 170
So here we can just make it just like this over here, and here I can just go above and
Frame 171
do this, go above, do this.
Frame 172
And that's it.
Frame 173
And then I can just come in here and just squeeze it in a little bit, right?
Frame 174
Just start to make it look like the skull that I wanted to look like.
Frame 175
So that gives you a very good idea of how to do that.
Frame 176
So here we can now just lightly erase these concepts, just leave the anomalies behind.
Frame 177
And now you can start to add all your cool details here, start to make it more realistic
Frame 178
and stuff, right?
Frame 179
So here I'm just going to do my own kind of skull here, just add my own variations of these
Frame 180
lines here, right?
Frame 181
I know that there's going to be like a cut over here.
Frame 182
Usually I just keep my ideas very simple here, just like I'm showing you, right?
Frame 183
So I just want to do like conceptual idea over here for the skull.
Frame 184
Because I have this, I know that this is really just going to be here, like this over here,
Frame 185
right?
Frame 186
And I'm going to come over here and to just do it this way over here.
Frame 187
And then here we can just add different lines here to start to make it more realistic
Frame 188
looking over here, right?
Frame 189
So all these are the teeth I'm going to be here.
Frame 190
So you can add those if you want to over here, right?
Frame 191
The teeth are just going to be like this over here, right?
Frame 192
We can just add them like this, right?
Frame 193
It's just a conceptual idea here.
Frame 194
What we're really interested in is the ability to draw these skulls out.
Frame 195
Okay, so here I can just shade this in a little bit over here, just like this, right?
Frame 196
So I can work on this all day and do different things with it, make it more and more realistic
Frame 197
looking.
Frame 198
But you get the idea that how we were able to simplify that concept, right?
Frame 199
Okay, so now let's draw, draw it in three-fourths of you again, right?
Frame 200
So here we'll do another ball shape, right?
Frame 201
So usually like some of the variations you can do, you can do it like a ball shape over
Frame 202
here or you can do it a little more elongated if you want to, right?
Frame 203
Make it like a little bit longer, right?
Frame 204
It's the different type of skull that you're looking for.
Frame 205
So once we have this, we know that we just need to know the center of this over here.
Frame 206
We're doing a three-fourths view here, right?
Frame 207
So here's going to be the line over here, right?
Frame 208
I can just eyeball this and say, okay, well, I'm in the halfway here.
Frame 209
So I'm just going to come about here, right?
Frame 210
And then I'm going to find the half of this ball over here like this.
Frame 211
Okay.
Frame 212
So here's the thing to know, get yourself to understand.
Frame 213
Once you get this line here and once you divide this, let's just go back to the formulas
Frame 214
so we can remember this, right?
Frame 215
So in this circle here, see, as soon as I put the line with the bottom of this,
Frame 216
I know that the jaw is just going to start turning and go,
Frame 217
and halfway of this is where the jaw is, right?
Frame 218
So as soon as you do this, you know the halfway here is where the jaw is,
Frame 219
but all the way to the bottom, see, all the way to the bottom?
Frame 220
It's basically going to start to curve in this direction, right?
Frame 221
So it's here, goes here and here.
Frame 222
And that's it.
Frame 223
We just get the basic idea of it over here like this, right?
Frame 224
And then we just need to find the center of this whole head over here.
Frame 225
We can say that it's just going to be just like this,
Frame 226
kind of like going in perspective.
Frame 227
And we already said that, okay, we can just put a line here.
Frame 228
Look at this and just make an assumption that your idea is that line for the eye is going to be here.
Frame 229
So now let's just talk about how we did this box over here so we can do it here too.
Frame 230
The eyebrows over here, the bottom of the chin, if I divide this in half,
Frame 231
I know that the nose is going to be here and I know that I'm going to get the line to go in here.
Frame 232
Just like this, right?
Frame 233
The line goes here, I get my nostril, the nose area over here.
Frame 234
And I already know that I just need a box shape because it has to be half way here anyways, right?
Frame 235
It's going to be like this box here, over here.
Frame 236
And that box shape is also going to be on the other side.
Frame 237
So this will clue you in as to, okay, I see how to start to begin to just do these ideas much more quicker in this way, right?
Frame 238
It's just this idea here and because we have the box shape over here,
Frame 239
we can also look at it from that angle and just start to put that idea like this, right?
Frame 240
So remember that this is going in and over here it is here, right?
Frame 241
This is the front.
Frame 242
This is, look how back it goes when it's, this is the front and it's twisting around.
Frame 243
It's turning in this angle and it's coming over here.
Frame 244
So this way it's going to be the same thing.
Visit: www.alienthink.com
2026 Riven Phoenix and AlienThink.com
Keywords: figure drawing, figure drawing lesson 016 - the journey to 3/4 view of human skull - part 4, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 016 - The Journey to 3/4 view of Human Skull - Part 4, Storyboard Guide

0 Comments:
Post a Comment
be nice
Subscribe to Post Comments [Atom]
<< Home