Figure Drawing Lesson 018 - The Journey to 3/4 view of Human Skull - Part 6 - Figure Drawing Storyboard Guide (Part 2/2)

Figure Drawing Lesson 018 - The Journey to 3/4 view of Human Skull - Part 6 - The Structure of Man (Part 2)

Learn to Draw the Human Figure From Your Mind with Riven Phoenix

This visual storyboard guide for Figure Drawing Lesson 018 - The Journey to 3/4 view of Human Skull - Part 6 provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.

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is supposed to be.

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We know that this area here has to go in, right?

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For the nose, it's going to go in for the nose and then you'll get the nose.

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So in the forms, you should just know that this is going to basically look like this in

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the forms.

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If you have to cut this out from a block of wood, right?

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And we know that the nose is just going to be from here, the brow over here is going

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to be roughly around here, right?

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So if we had to put this nose out over here, right?

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We can do the same thing just as a very simple idea, this is how the form is going to be

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for the nose, right?

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And then over here, remember that thing that you get here for this area, for the skull.

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And then just go back to the original formula here, this area over here, and I've been

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telling you about if there's a match over here, you should know that there, although if

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you look at your face in the mirror, you'll see that where this temple area is, right?

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With your eyes over here, there's a plane over here.

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And then we know that this is where the cheekbone is going to be, and it's basically there's

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a plane like this that goes in this direction, here I'm just inventing the planes completely

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from scratch to show you this concept here, right?

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This is like the first version of the plane that we're going to do, so I'm showing you

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that there's a plane over here, and then it goes in over here, going in this direction,

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right?

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Give you the forms, and this over here, if it's over here, that means it's over here,

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too, right?

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It's just going to come like this, for the form of the human head.

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So once we know this, we know that, okay, well, if I had divided this really in these

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three different parts, I know that the mouth is going to be here, meaning that there's

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a form area over here, this is where your chain is going to be, right?

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And this area here is actually like this, there's a form area over here because your mouth

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really is not flat, there's a form over here, too, right?

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Just get to this very simple understanding, this very simple template concept, and this

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is obviously where the here is, right?

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And this is how these statements that we're seeing, right, in this artistic thinking concept,

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and when we say obvious, now when we draw the skull, it will make more sense.

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So now let's take this and draw out the skull, so I'm just going to use the same pencil

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here, right?

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We're going to basically wrap the skull around this to understand how it translates

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to this.

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So we know that this is the temple area over here of the skull, and then you get this

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brow area over here, right?

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You get the bone for the nose, then here we had stated that really the eyes are going

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to be like this over here, right?

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We get this section here, right?

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So this will help you remember it's under, this will help you to understand why we were

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doing it this way, right?

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It goes halfway here around with the nose, this is the opening.

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So when your eye is in here, this is why you'll get that flabby area, right?

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If you touch this area with your finger, you'll get to see that there's this area under

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the eye that's like this baggy system that comes because there's an area over here, right?

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So in the same idea here, you could all, you could have, you can draw your skulls in

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this way too, just understanding, okay, I understand what's going on now.

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This is why we get this dip here in this, and that's why we get the skull to look like

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this and you get the cheek, and then your cheek is just going to be like this going back

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over here, right?

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See how the forms make more sense, and this is just going to be like this, this is where

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you get like this dip here, right?

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Obviously when you put the muscles, like some people just don't have this because they

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have a cheek here, but this will help you to understand the planes of this.

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There's a muscle area over here, but this, this, it would just be like this going into

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this direction.

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So here I'm just going to shade this in, right?

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So this nose, we don't have to shade it in, we know that the nose is going to be here

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in the cartilage, right?

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We get the, the mouth over here, right?

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But this will help you really get your feet wet into understanding how the forms are.

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So this is where the jaw is supposed to be, and then there are muscles over here, but

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this will help you to understand how the planes are acting on the head, right?

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So that's really it, basically it to it here, just wanted to show you how the forms relate

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to the skull, and then how the forms later will relate to the actual muscle area here,

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right?

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Right, this area here, just like future stuff, like you can just do like a head over here,

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right?

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You're going to get muscles over here and stuff.

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But so the template that I showed you in the forms, the thing you should know about

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it is that you have to write to change it.

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Then just add some extra things on it if you want to, but basically everything I showed

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you in this form areas, that's all that Ruby is to be known about it, right?

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So I'll see you in the next lesson where we're just going to wrap this segment of the

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human skull.

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Keywords: figure drawing, figure drawing lesson 018 - the journey to 3/4 view of human skull - part 6, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide