Figure Drawing Lesson 018 - The Journey to 3/4 view of Human Skull - Part 6 - Figure Drawing Storyboard Guide (Part 1/2)
Figure Drawing Lesson 018 - The Journey to 3/4 view of Human Skull - Part 6 - The Structure of Man (Part 1)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 018 - The Journey to 3/4 view of Human Skull - Part 6 provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
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Hey guys, my name is Riven Phoenix and welcome to the start-up of man learn to draw the human
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figure from your mind training course.
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So in the previous lesson we pretty much have now proved that the training process that
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we are taking the mind through in understanding figure drawing is paying off it because
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we were able to do all these different styles of drawing of the human skull in all these
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different angles, proving the concept to what Da Vinci is really saying about the power
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of formulas, and within that what we are doing is really taking his concept and then looking
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at the process of cognitive thinking how really the mind really needs like this story
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that it needs to go through to understand figure drawing, we are taking all the fuzzy
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areas out in figure drawing so when you are drawing it out it doesn't question it, right?
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It has this really deep down understanding of the figure.
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It's the same thing as it you have gone to let's say your four year school of learning
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about art and when you are creating those paintings in the back of your mind you know
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all the experience that you went through in your class how the teacher told you how to
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do things how to correct your mistakes, how to understand color, how to understand
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drawing in your life drawing classes, right?
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It's just deep story when you are drawing it out.
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So in this sense what we are seeing is that this process that we are going through in
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this course which is the structure of man is really the story of the human figure that
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we are embedding in the mind, right?
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It's again comes down to the process of these peg systems in memory management as to how
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we are connecting the dots as we how we started out with a blueprint then created a story
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one by one through the lessons so we could get to this point, right?
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So you should really give yourself a pattern of back to be able to have come to this point
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from let's say if you didn't know how to draw the human skull to be able to do this.
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So now what I'm going to show you is I'm going to introduce you to the forms of the human
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figure, right?
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We're really just done with this area of the skull but I need to show you this area here
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is because I want you to get to the use to the idea is what does it mean to understand
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the forms of the human figure.
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So if we take a look at Michelangelo, right, if you look at Michelangelo, right?
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In his studies, remember he burned all the studies so we only have only a handful of them
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to understand but if you look at his studies, right, through his studies we could state
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in this artistic thinking that what he's getting at is that the mastery of the human figure
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not only is understanding the complete structure of how the bones are put together because
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you can see it's obvious over here, right?
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And not only understanding all the muscles, but also the surface anatomy.
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And the surface anatomy will come from understanding the forms of the human figure, how the planes
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of the human figure play around on the human body, right?
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So what this means is that if you look at the bench, right, again, all the stuff that
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I'm seeing, right, you've got to keep in mind that this is all artistic thinking, it's
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thinking out loud.
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It means absolutely nothing to us.
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It's not something that we religiously believe in these ideas, right?
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We just want the mind to go through this process of thinking.
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It's very, I want to be clear about this, that all the stuff that I'm showing you here,
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this is called artistic thinking, that's what's allowing us to be able to draw the skull
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in such, make such rapid progressing in figure drawing because we can use the part of artistic
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thinking to help it understand, right?
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So over here, see where DaVinci has done this drawing, but over here he's showing the
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formals because he's getting to a point here, obviously, right?
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He's showing that the power formulas will give you an obvious statement, obvious meaning
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that what that means is when you're drawing up the figures like this, right, when we draw
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up the skull, like if we were drawing out this before without understanding it, right,
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we would have to look at something and draw it out, but because we created all the formulas
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and understood it, it becomes an obvious statement, meaning that when DaVinci is drawing
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it in his mind, right, what's happening is that when he's drawing these angles out,
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the human figure like this, see the bones and all this, in his mind it is obvious that
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this is how it's going to be, the design of the face is going to be like this and it's
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obvious that there's a line over here, the muscle area over here and it's obvious that
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the neck looks like this, right, the entire body, right?
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So if you look at the first drawing that I did in the beginning of these lessons, this
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going here, what I was showing you is that the proof of what DaVinci was saying in that
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drawing, right, when I was drawing this out in that process of drawing, it is obvious
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that this is how the figure is going to look like, right, because the mind has enough
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experience of this, right, I think you understand what I'm getting at in the concept of what
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figure drawing is, what the mastery straight really looks like, everything just becomes obvious
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to you that obviously this is what the shoulder is going to look like, this is how the lines
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are going to be, right, but without the actual knowledge of understanding the structure of
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the toolkit and all the muscles, how they're supposed to be, you cannot get to that statement
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that obviously is going to look like this, right?
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So to magnify that point that I'm making about these obvious statements is that now let's
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do use the same concept in drawing at the skull and look at the forms, right?
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So here I'm just going to show you a very simple template idea here.
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So let's say that this is going to be the, let's say an idea here for the head over
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here.
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Just same thing as I, as if I'm drawing the human head here in a three-fourth's view,
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okay?
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Here I'm just going to draw it out like this and I'm going to do this line over here and
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I'm going to obviously do this jaw over here, right?
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Because it's obvious that it is coming from here, right?
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This is what I'm getting at.
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So when you, when we know that this is going to be the center for the eye line over here,
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right?
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And this is where the whole skull will develop.
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So if you look at the forms, the forms are going to be basically like this.
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This is the top of your brow area over here, right?
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So first I'm going to show you the forms here and over here, because we know how this
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Keywords: figure drawing, figure drawing lesson 018 - the journey to 3/4 view of human skull - part 6, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 018 - The Journey to 3/4 view of Human Skull - Part 6, Storyboard Guide
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