Figure Drawing Lesson 004 - Side view of your invention - Figure Drawing Storyboard Guide (Part 1/3)
Figure Drawing Lesson 004 - Side view of your invention - The Structure of Man (Part 1)
Learn to Draw the Human Figure From Your Mind with Riven Phoenix
This visual storyboard guide for Figure Drawing Lesson 004 - Side view of your invention provides step-by-step figure drawing instruction with annotated frames and detailed descriptions.
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Hey guys, my name is Riven Phoenix and welcome to the Structure of Man Learn to Draw
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the Human Figure from your Mind Training Course.
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Okay, so in the previous lesson, we had left off where we had understood how we were able
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to help the mind understand where it could now draw from the memory of the front view.
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And now it can also draw the back view, right? So the only difference was that we drew
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the chance cavity a little more differently and then we put really a circle here for the
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back view of the skull and really just shaded this in a little bit to signify that that was the
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area of the jaw, right? And everything else was basically the same.
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So it was this area here, these two places that we wanted to understand.
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We understand this, but over here is the fuzzy area that we don't know.
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So now here we're going to go through a discovery process and what is important to
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understand about this is that when we draw the side view, here you will begin to
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understand how the mind will start to put things together in a three-dimensional
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understanding, right? We're not going to draw anything in 3D, but we'll begin to
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understand things in 3D, right? So to do that, we are going to draw
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out the side view of the figure. So for the side view, I'm going to draw it out
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over here and for this one is going to be exactly the same thing.
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We're just going to draw out a line, just really a line going straight down like this over
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here, right? So this will give me the height for the figure over here.
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So this line here, right, when we drew out the line here in the straight line,
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this was really the line of gravity and it helps us to understand how to,
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how each part is divided on both different parts and it's the same thing.
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And on the side view, this will be the line of gravity.
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And this line now is going to play a really, really vital role to
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help us understand how to balance the figure and how we begin to understand
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what is it that we've been drawing. Remember, all of this stuff that we're
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doing is an invention of a toolkit. It's basically a blueprint that we're
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creating. So all we have to do now is divide this line in half.
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So here I'm just going to draw an X here for the area for the crotch again.
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I'm going to draw this line a little more clearly because it's a little fuzzy.
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Okay, that should be good enough. And then over here we're going to divide this
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in half. We know that this is where the knees are going to be above just like this
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from the side view, right? Then over here we're going to divide this in half
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about here. This is where the bottom of the pec muscles is going to be.
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This is where the navel is supposed to be. Then if we go up here,
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this will be the bottom of the chin, right? So this is the height of the head
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that I'm showing you. Okay, so now what we need to do is understand
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okay, how should we draw this invention from the side view?
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So we need to come up with a very basic rules of understanding really like
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these basic formulas that we can just lead behind when we start to draw
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where everything just is understood as an obvious concept.
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So the first thing that we're going to solve here is the human head.
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Now notice what we're doing is we're going to slow down our thinking, right?
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So this is really getting into the this area of managing your way of thinking, right?
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We are the thinkers. We're really the creator. So we're going to decide how the
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mind will begin to understand things. So the well, now this is where we're going
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to start to adjust our way of drawing things out. So to draw out the head
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from the side view, what we'll do for now as a very simple rule in this
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toolkit is that when we take the height of the head to the chin when we divide this
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and have and go down, this will basically give us the idea of how we need to
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make a circle over here for our idea for the human head, right?
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The invention of the head that we're going to create, right?
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So over here from now on when we draw it from the back, we'll just say that
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okay, well, if I'm on the back, I'm just going to take from here here.
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And if I was here divide this in half, I really just ended up doing the same thing, right?
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So I can just draw out the circle like this, right? So over here it's the same
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thing you really don't have to worry about it, but from the side it's always
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going to be like this. So this line here divides it, meaning that it's the human
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head really just needs to be understood in a circle. So once we have this, we
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now can make the jaw. The jaw for this, we're going to make the figure face this
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in that direction over there, right? So for the jaw, where we put this line
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over here, we're just going to go above this and make the jaw on the left side
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going in this direction, just like this, like this, this, this, and basically
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where this guy is, I can just come like this over here.
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And very simply make the human head, like the human skull really, right?
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So here I'm just going to clean up some of these lines here, because I want to
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slow down and make sure we understand how we're helping the mind to get these
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concepts, right? So for the jaw, I just did this line here, like this, and then
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I do it from the front, like this, and I'm just following the circle up the head,
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right? So here is the original circle for the head. So for the jaw, I just came
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down like this and this, right? And this is the line for the chin and this is
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where it ended. It's a very simple concept. So the next rule is we need to
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understand, okay, now we need to draw out the chest cavity. So how should the
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chest cavity be placed when it is drawn from the side? Well, the first rule
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over invention there will state is that whenever we draw the neck, so the
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neck is going to be obviously on the right side of this, right? It's basically
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going to be here. Whenever we draw out the neck, it must always be on an
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angle. So this is a rule that we never want to forget is because in our
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invention, when the head sits on the human body, it was always pushed out and
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the chest is pushed a little bit back and you'll see as to why that happens.
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So where this is the line for the chin, this is the line for the pack, bottom
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of the pack muscles, right? So let's look at this. This is the bottom line for
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the pack muscles and this is the line for the chin. Then we made the
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clavicle here, meaning that we've really just divided this in half. So if I
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take this line over here, I'm just going to draw an imaginary line to show that
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the clavicle is going to be on this line here, right? So as a rule, we'll
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say that this point where we have the jaw, if we divide this in half like
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this, right? From here, here, I'm going to divide from here to here in
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half, this is where the clavicle needs to sit and it needs to go in in this way,
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meaning that the top of the chest cavity needs to go in this direction, meaning
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Keywords: figure drawing, figure drawing lesson 004 - side view of your invention, drawing lesson, art instruction, figure drawing tutorial, anatomy for artists, drawing storyboard guide
Labels: Art Tutorial, Drawing Lesson, Figure Drawing, Figure Drawing Lesson 004 - Side view of your invention, Storyboard Guide
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